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Highlighted Community Events

Confederates
March 5 - 23, 2025
History isn’t a straight line. This groundbreaking play weaves a tapestry of parallel struggles for two brilliant Black women living centuries apart. Sara, a Union spy during the Civil War, and Sandra, a modern-day university professor, confront intersecting biases of racism and sexism that feel all too familiar. It’s a provocative, highly theatrical exploration that challenges perceptions and resonates with humor and intelligence.
PlayMakers Repertory Company
120 Country Club Rd, Chapel Hill, NC
www.playmakersrep.org
Use Promo Code TFAAA and get 30% off tickets! Valid only on
Premium and Section A full priced seats.
Confederates
March 5 - 23, 2025
History isn’t a straight line. This groundbreaking play weaves a tapestry of parallel struggles for two brilliant Black women living centuries apart. Sara, a Union spy during the Civil War, and Sandra, a modern-day university professor, confront intersecting biases of racism and sexism that feel all too familiar. It’s a provocative, highly theatrical exploration that challenges perceptions and resonates with humor and intelligence.
PlayMakers Repertory Company
120 Country Club Rd, Chapel Hill, NC
www.playmakersrep.org
Use Promo Code TFAAA and get 30% off tickets! Valid only on
Premium and Section A full priced seats.

The Time Is Always Now: Artists Reframe the Black Figure
On view until June 29, 2025
The title, The Time Is Always Now, references an essay on desegregation by American writer James Baldwin (1924–1987). Organized around three themes—double consciousness, the persistence of history, and our aliveness—the exhibition showcases works by artists including Michael Armitage, Jordan Casteel, Lubaina Himid, Kerry James Marshall, Wangechi Mutu, Toyin Ojih Odutola, and Amy Sherald. Admission: $20 Adults, $17 Seniors, $12 Students (ages 7–22), free for children 6 and under
North Carolina Museum of Art
2110 Blue Ridge Road, Raleigh
www.ncartmuseum.com

Biscuits & Banjos: A New Festival by Rhiannon Giddens
April 25 - 26, 2025
GRAMMY & Pulitzer Prize-winning artist Rhiannon Giddens’ new festival is dedicated to the celebration and exploration of Black music, art and culture in her home state of North Carolina. Biscuits & Banjos is a 3-day festival to exchange ideas, expand conversations, uplift traditions, and trace the musical and geographical connections of old time, country, Americana, folk, jazz and blues to highlight their complicated origins. The festival will champion Black artists and creators, offering robust musical performances alongside secondary programming to include lectures, workshops and readings from authors, chefs, visual artists, and more. Black culture is not a monolith, and this gathering will provide an opportunity for those working outside the mainstream to come together in community, as well as showing the similar journeys the culture has taken across music, food, and literature.
Durham Performing Arts Center, The Armory, Carolina Theater, and more locations.
www.biscuitsandbanjos.com
April 25 - 26, 2025
GRAMMY & Pulitzer Prize-winning artist Rhiannon Giddens’ new festival is dedicated to the celebration and exploration of Black music, art and culture in her home state of North Carolina. Biscuits & Banjos is a 3-day festival to exchange ideas, expand conversations, uplift traditions, and trace the musical and geographical connections of old time, country, Americana, folk, jazz and blues to highlight their complicated origins. The festival will champion Black artists and creators, offering robust musical performances alongside secondary programming to include lectures, workshops and readings from authors, chefs, visual artists, and more. Black culture is not a monolith, and this gathering will provide an opportunity for those working outside the mainstream to come together in community, as well as showing the similar journeys the culture has taken across music, food, and literature.
Durham Performing Arts Center, The Armory, Carolina Theater, and more locations.
www.biscuitsandbanjos.com
Blog Highlight

William Henry Curry --
The Life of an African American Conductor
(Excerpt from Blog)
William Henry Curry’s journey is one of immense talent, resilience, and passion. As a composer, professor, and conductor of the Durham Symphony Orchestra, Curry’s story is a testament to overcoming racial barriers and pursuing one’s dreams. He attributes his drive to a profound love for classical music, a love that pushed him through significant challenges in his career. Growing up in a lower-middle-class family in Pittsburgh, Curry and his brother Ralph, a cellist in the Cleveland Orchestra, faced financial struggles that initially limited their musical opportunities. However, their family's rich musical heritage, including their maternal grandfather's role in opera and their paternal grandmother’s scholarship to the New England Conservatory, paved the way for their success.
Despite early obstacles, Curry’s determination led him to study at the Oberlin Conservatory, where he honed his craft. His professional breakthrough came when, at the age of 21, he was thrust into conducting Beethoven’s Ninth Symphony on very short notice, a performance that catapulted his career. Yet, his path was not without resistance; Curry faced blatant racial discrimination, including rejections due to his race and being told by a concert manager that he couldn’t be promoted because of he was African American. Despite these setbacks, Curry has persevered, achieving incredible success, including conducting major American orchestras and winning the prestigious Leopold Stokowski Conducting Competition. He remains a beacon of inspiration, shaping future musicians and breaking barriers for African Americans in the classical music world.
By Sherri Holmes, Triangle FAAA Founder & Director
The Life of an African American Conductor
(Excerpt from Blog)
William Henry Curry’s journey is one of immense talent, resilience, and passion. As a composer, professor, and conductor of the Durham Symphony Orchestra, Curry’s story is a testament to overcoming racial barriers and pursuing one’s dreams. He attributes his drive to a profound love for classical music, a love that pushed him through significant challenges in his career. Growing up in a lower-middle-class family in Pittsburgh, Curry and his brother Ralph, a cellist in the Cleveland Orchestra, faced financial struggles that initially limited their musical opportunities. However, their family's rich musical heritage, including their maternal grandfather's role in opera and their paternal grandmother’s scholarship to the New England Conservatory, paved the way for their success.
Despite early obstacles, Curry’s determination led him to study at the Oberlin Conservatory, where he honed his craft. His professional breakthrough came when, at the age of 21, he was thrust into conducting Beethoven’s Ninth Symphony on very short notice, a performance that catapulted his career. Yet, his path was not without resistance; Curry faced blatant racial discrimination, including rejections due to his race and being told by a concert manager that he couldn’t be promoted because of he was African American. Despite these setbacks, Curry has persevered, achieving incredible success, including conducting major American orchestras and winning the prestigious Leopold Stokowski Conducting Competition. He remains a beacon of inspiration, shaping future musicians and breaking barriers for African Americans in the classical music world.
By Sherri Holmes, Triangle FAAA Founder & Director
Disclaimer:
Community event details are manually gathered from submissions and online sources. For the most accurate and up-to-date information, we recommend visiting the websites of the presenting organizations, most of our listings are directly linked to them.